Over the past few years, there's been a resurgence in film photography- folks are going out to buy vintage film cameras and put them back to good use. Two years ago I joined the ranks of photographers returning to film and analog photography techniques. Since then, I've studied printing in darkrooms and explored a variety of film processing and development techniques.
As consumers flock to buy old film cameras, companies are joining in the movement by offering "easy out" film photography.... that is, film photography without the film. One such company is RNI (stands for Really Nice Images), a London-based company selling film presets for digital Adobe Lightroom and Photoshop.
Two weeks ago, RNI approached me asking if I would review their "All Films 4 Pro" software suite, which retails for $122 US Dollars. Full disclosure, they provided me a free copy of the software in exchange for my review- though I have reviewed this with the mindset that I had just shelled out my hard earned cash for the software personally. This lady can't be bought with free software (but maybe for cars).
Anyway, I downloaded the software and began the installation on my MacBook Pro. While they offer the features for Lightroom and Adobe Camera Raw, I only tested it for Lightroom as that's where I now do 90% of my editing.
Essentially the software is a suite of Lightroom presets designed to make your digital images look like they were taken on film. So if you aren't awesome enough to rock some film and learn a little development, this is how you can get the "look" with your digital files.
The installation of the software was relatively uneventful- RNI provides detailed step-by-step instructions for installing all of the presets and features, and it took me only a few minutes to complete. The software package took approximately 100MB of hard drive space.
After the installation, I restarted Lightroom and saw that I now had hundreds of new presets in the development module. So many presets that I stand no chance of capturing them in one screenshot......
When RNI says the software includes "All Films" they are only slightly off.... it includes presets for the most common films, and then a healthy stock of more obscure film. There was only one film I love to use frequently missing from their list, which is the Adox line of film, specifically the Silvermax film.
Anyway, I had a bit of shell shock seeing the list of film choices. It's actually overwhelming! To help with the organization, RNI has folders for each type of film, as follows:
- RNI Toolkit (contains features like frames, vignettes and lens effects)
- RNI Films 4 BW (Black and white films)
- RNI Films 4 Instant (obviously, instant films like Polaroid)
- RNI Films 4 Negative (negative color films/ films developed with C-41 chemicals)
- RNI Films 4 Slide (color slide films / films with development in other chemical combos)
- RNI Films 4 Vintage (a selection of films that aren't produced anymore)
Ok, so I haven't come close to shooting a 10% of the films offered in these presets, so I stuck to presets for films I have used - Kodak, Ilford, Fuji, etc. As noted previously, my beloved Adox Silvermax is missing from the preset list.
Test 1: Finland Window
I took this photograph on my Leica SL Type 601 in Finland a few weeks ago, and the colors and textures are a good subject to explore the various film presets with. We'll start with the original image as I edited it, then go through a list of presets. Read the subtitles for each to get the film preset name, and click on the files to see an enlarged version.
Color Negative Film Presets
I don't shoot much color negative film, but when I do, it's either Kodak Ektar or Portra, so those are the presets I can fairly judge. Before applying either preset I thought about the films, what I know about how they render colors, and formed my expectation for how the preset would look, then clicked the button. For the Kodak Ektar, the resulting image is pretty true to my expectation - colors are bright and vibrant with strong black tones. The Portra, however, was not what I expected. In my experience, Portra renders nice pinks and red hues, which is why it's popular for portraiture. But the reds and pinks in the wood became muted and the black looks wimpy.
If I am judging these presets based on my experiences actually shooting these films, then the Portra comes up a bit short, while the Ektar meets expectations.
Black and White Film Presets
The true test is black and white film. I shoot a LOT of black and white film, specifically Ilford Delta 100, HP-4 and Adox Silvermax. Since Adox wasn't a choice, I experimented with Kodak T-Max, a popular film, but one I don't shoot as often.
From my experience, these three presets are fairly true to expected performance, particularly the Delta 100 and HP-4 presets. I have shot hundreds of rolls of each film, and the preset looks pretty true to the tonal composition, contrast, and detail of those films. The T-Max preset is maybe a little heavy in contrast, but I have only shot a handful of T-Max rolls, so I am not the expert on that film.
Other Presets (Slide & Effects)
As previously mentioned, the RNI film presets pack includes some slide and vintage films, plus some effects. I have only shot one roll of slide film before, and it was such an epic disaster to develop that I quickly gave up and retreated to the safety of C-41 color negative film for those times I want color.
Here's our starting image, again from the Leica SL Type 601. This is Esa, a Finnish man who leads dogsled teams.
I first played with the Fuji Velvia preset, which is the only slide film I'm remotely familiar with. But as mentioned, my experiment developing it at home resulted in a lot of green film, so the RNI preset was sure to be better!
Sure enough, nice pop in the colors and beautiful saturation. This is what Velvia is famous for, and the preset delivered. Next I took the same image and played with some of the effects filters. There are a billion effects, from vignettes, contrast, etc.... but I went for "Vintage Lens 4."
Apparently "Vintage Lens" means reduce sharpness and add a vignette? Because, as far as I can tell, that's what this effect did.
RNI All Films 4 is full of film preset choices - so many choices that I couldn't possibly begin to represent an opinion on all of them without a heavy amount of BS'ing involved. And I was overwhelmed with choices before opening the camera profiles, at which point I ran for cover. If you want an endless selection of choices, this is your software, but I'd have to start deleting some of the presents I don't like to de-clutter my workspace.
On the surface, RNI All Films 4 offers a lot of presets in their package, which is good considering it's moderately pricey software at $122 US Dollars. But thats the problem. There is other software with film presets (albeit not as many choices) that you can download for free. So you have to be pretty dedicated to wanting almost every film emulsion known to man to shell out the money, and I suspect many folks won't know the difference. If you've never shot film, would you know the difference between the dozens of black and white film emulsions available? Doubtful.
Which brings me to the next question - who is the target audience? Surely someone who shoots film regularly will just shoot film and bypass the filters. So I am assuming that RNI intends this for a digital photographer who wants to give their images the film look and feel without actually shooting film. But again, so many choices - are there that many Nikon-Shooting-Joe's who know enough about film to appreciate all the film presets?
RNI has a solution for this - which is the Lite version of the software. For $59, you get a smaller subset of the film set, which I expect will appeal to most photographers. If you are enough of a film die-hard to know the difference between HP-4 and HP-5, then you probably shoot them, and don't need a preset.
Sidebar: This Isn't Film Photography
I need to detour away from the RNI product for a second to explain that film photography isn't this simple. I don't just load some film into my camera, snap away and voila. There are two other chemical processes after I take the photograph that determine the look of the final product - development and enlargement. I won't attempt to expand upon this too much, but let me start by explaining that Ansel Adams wrote three very long and detailed books about this process.
To click a preset button in Lightroom - no matter where that preset came from - is disingenuous to film photography. A film photographer goes through three different chemical process to produce a print - it's not just a button click. I can make a film that is light on contrast have more contrast in the final print by changing how I enlarge the negative. I can lighten or darken a negative by extending development by a matter of seconds or changing the water temperature.
If you want to make film photographs, buy a film camera and learn about film photography. Using presets won't give you the same experience, and your hands won't smell like fixer!
RNI Mobile Apps
RNI also offers a suite of mobile apps for applying these sorts of presets to images and then sharing them on Instagram, etc. To be honest, this is probably the most interesting application of these presets for me personally - I don't use one click filters for most of my photography, but I will use a quick filter if I'm sharing some cutesy selfie on my personal Facebook page.
I was not given a trial of the RNI mobile apps to review, but based on the photos and videos on their website and Facebook page, I think RNI has built a nice platform for Instagram'ers to modify and share their iPhone images.
- Lots of presets to choose from
- All major film emulsions represented, including a nice selection of vintage films
- Easy installation
- One-click use. Easy for any Lightroom newbie to use
- The full suite is pricey, particularly given some of the free choices on the market
- Adox Silvermax is missing
- The number of choices can be overwhelming to someone not familiar with film photography
Would I Buy It? Would I Recommend It?
Personally, I would not buy RNI All Films, though that doesn't have anything to do with the product RNI offers. I already shoot film, and if I want the look of film, I'd just grab a roll and go. Some of the features, like the vintage lens presets, are a bit gimmicky too. Not to sound like an elitist, but I shoot Leica cameras - I spend a lot of money to have my images look good and don't have any intention of introducing flaws to a photograph on purpose.
Would I recommend it? Hum. Depends. I probably would tell someone looking at the RNI films software to start with one of their cheaper and smaller scale products to see if they like the presets before diving into the deep end with preset mania. Had I used the pro version before becoming familiar with film photography, I think I would have been very intimidated by the number of choices. If you don't know much about film photography, start with one of the Lite versions and upgrade later if you like it. RNI lets you upgrade at a discount, and that's where I'd start.
If film photography does interest you, then also consider spending $50 on a cheap film camera and a roll of film. You'll learn something and have a ton of fun - more fun than you'll have clicking preset buttons in Lightroom!
Have you used any of the RNI products, like their mobile apps? What was your experience? Leave me a comment!